In our podcast, we speak with a number of UK artists and organisations to discuss their creative process. We ask them to share insights into how they develop their digital work, how they find an audience and, importantly, ask them to outline lessons learnt throughout the process.
Each podcasts feature the The Space's Creative Director, Fiona Morris and audio producer Clare Freeman in conversation with a range of innovative artists.
Corey Baker, is a classical and contemporary choreographer, and former dancer from New Zealand. In this episode, Corey explains how an idea he had in the shower went on to be commissioned as part of BBC Art's 2020 Culture in Quarantine project and watched by millions all over the world.
Sharing the lessons learnt during his first exploration into radio and podcasting, sarod player Soumik details how his music video series ‘Sounds of Silence’ explores the impact of lockdown on musicians across the UK.
Providing opportunities and a platform for disabled artists has been a personal and professional quest of Maria Oshodi. During her conversation with Fiona and Clare, Maria details the challenges Extant overcame in creating accessible digital content with their Space supported project, Flight Paths - and the unexpected freedom that emerged from working off-stage, especially when it came to reaching a wider audience.
Hospital Rooms’ digital video series unveils the stories behind the artwork created in some of the UK’s most challenging mental health settings. Curator, Niamh White explains the inspiration behind their film series and workshops, and how a "little digital adventure" they went on with their Space supported project has become the backbone to their business.
‘Bubble’ is a play set on Facebook, written in texts and emojis. The audience watches the drama unfold as a cast of youngsters who never met the show’s directors act out their responses via social media. Theatre Uncut co-artistic director Emma Callander explains the pros and cons of reaching a younger audience on a digital platform. Plus, wider reflections on what theatre's role is during a pandemic.
Billy and his team at Breach Theatre turned their three-woman theatre-show It's True, It's True, It's True into a digital film, which aired on BBC Four, and was hosted on the National Gallery website which helped Breach reach a new audience. Billy explains to Fiona and Clare what challenges the team faced stepping into a digital world and how they discovered partnerships were the key to successful distribution.